Update on the ‘Annie’ test mannequins.

In Las Vegas I found photos of the mannequins being dressed and on display at the J.C. Penney store before the March 17, 1953 detonation.

Las Vegas Review Journal, March 6, 1953.
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Las Vegas Sun, March 7, 1953.
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Los Angeles Examiner, March 10, 1953
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Las Vegas Review Journal, March 1953
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Las Vegas Review Journal, March 7, 1953
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Las Vegas Review Journal, March 8, 1953
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I found photos of the mannequins sitting in a group on chairs, being photographed outside in a Las Vegas neighborhood. I believe the photo was taken at Third and Carson Streets. James (Eure) could decipher ‘Third Street’ on the street sign in the first photo. Crystal (Van Dee) was able to confirm the street sign names as ‘Third and Carson’ with the help of a jeweler’s loupe.

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Searching further through the collections at the Nevada State Museum, I found a news release announcing that the County court house would be used in preparation for the March 17 test (at that time the court house stood at Third and Carson).
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Las Vegas Sun, March 9, 1953
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The group photo outside is similar to one I found at the National Archives:
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I found newspaper accounts that the mannequins had been removed from Yucca Flat and brought back to Las Vegas after the March 17, 1953 detonation. In this photo they are gathered again after the test, now damaged. They seem to be at the same site as in the earlier photo shoot (Third and Carson), but without a view of the houses across the street I can’t be certain.
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It’s possible that this site (Third and Carson) is the setting of the J.C. Penney advertisement photo shoot. The double-page advertisement of ‘before’ and ‘after’ states of the mannequins was published in the Las Vegas Review Journal on April 3, 1953.
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I found another J.C. Penney advertisement from early March 1953 featuring the mannequins in their ‘before’ state only in the Las Vegas Review Journal. These are the same ‘before’ shots used later in the April 3 comparison.
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I did not find any pictures or accounts of the mannequins on public display at the J.C. Penney store after the detonation of March 17, 1953. For now, the question of the mannequins’ post-detonation display in Las Vegas (at J.C. Penney or elsewhere) remains unanswered.

However, I did find several newspaper accounts of the mannequins on public display in Pershing Square in downtown Los Angeles in early April 1953. The mannequins were on view for three days and staged in similar ways to how they were found after the detonation at Yucca Flat. The newspapers report: ‘Mannequins play second fiddle to F-84’ (The F-84 Thunderjet was in an adjacent display). The mannequins were being studied for radiation in Los Angeles. I wonder whether the Civil Defense officials cancelled their plans for a nationwide tour of the mannequins after the exhibition in Los Angeles.

Los Angeles Examiner, April 1, 1953 Sec 1–3.
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Albuquerque Tribune, April 1, 1953
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Las Vegas Review Journal, April 1, 1953
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Los Angeles Mirror, April 1, 1953
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Los Angeles Times, April 1, 1953.
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Las Vegas Review Journal, April 1, 1953.
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The subject of my archival research, appreciating Las Vegas.

There are three main threads to my archival research. I am searching for:
(1) any images or textual accounts of the L.A. Darling Co. Mannequins, information on their public display at the downtown J.C. Penney store in Las Vegas and the tour they allegedly made of other cities, confirmation that they were displayed both before and after the March 17, 1953 ‘Annie’ Test, and any leads to their current whereabouts;

(2) newspaper accounts of nuclear testing at Yucca Flat of the Nevada Test Site, any form of visual or textual documentation that provides a supplementary view to that of the Department of Energy, as well as images and films of atmospheric and underground testing activity, subsidence craters, cables, towers, vehicles, structures, and other ruins of testing experiments; and

(3) an analysis of the effects of nuclear testing on people, environment, politics and culture, documentation and records on (for example) the Baneberry venting case, protests at the NTS, and designed exhibits and publications.

Over the course of this project, I have searched the microfilm, manuscript, photo, film, map, book, and military collections of the Library of Congress, the Mercury Core Library and Data Center, the USGS Central Region Library, and the National Archives. This past December in Las Vegas, I spent several days in the archives and libraries of the Cahlan Research Library of the Nevada State Museum, the University of Nevada Las Vegas Special Collections, and the Nuclear Testing Archive. As a result of these hours spent, combing through personal collections, publications, ephemera, newspaper clippings, microfilm, photos, and film reels, I have hundreds of images and notes to add to my findings. This material will give further dimension to the project. In the next several weeks I will be working to interpret these discoveries and incorporate them into the archive and into my exhibition proposal.

I want to thank the people I met in Las Vegas who helped me with my research:
Crystal R. Van Dee, Curator of Manuscripts at the Cahlan Research Library
Karen Green, Curator at the National Atomic Testing Museum
Brian Paco Alvarez, Curator, Historian at the Las Vegas News Bureau Archive
Dan Garrison, Producer at Joshua Tree Productions Inc.
Jennifer Cornthwaite, Director of the Emergency Arts Center
Su Kim Chung, Manuscripts Librarian at UNLV Special Collections
Kelli Luchs, Photograph Archivist at UNLV Special Collections
Delores Brownlee, Library Technician at UNLV Special Collections
Thomas Sommer, University and Technical Services Archivist at UNLV Special Collections and
Dennis McBride, Director of the Nevada State Museum.
Thanks to James Eure for his assistance.

A page out of a scrapbook of clippings regarding Civil Defense, Patricia Lee Collection, Cahlan Research Library.
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In the meadows.

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I am in Las Vegas, Nevada for ten days (I arrived Sunday, December 9, 2012). On the first morning, Monday, December 10, I met with curator and historian, Brian Paco Alvarez, and filmmaker and producer, Dan Garrison, at The Beat café in the Emergency Arts Center in downtown Las Vegas (Fremont and 6th). It is in the former J.C. Penney building, the store which donated clothing for Federal Civil Defense Administration tests at the Nevada Test Site in the early 1950s, and the site where the L.A. Darling mannequins, who experienced the force of nuclear blasts, were put on display for public viewing.

Emergency Arts, the former J.C. Penney building:
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We discussed ‘The Evolution of Silence’ and the possibility for its premiere as an exhibition here in LV. Paco is working to establish historic designation for the former J.C. Penney building in downtown Las Vegas because of its role in the history of the Nevada Test Site.

I spent the afternoon at the Nevada State Museum Cahlan Research Library, looking at photographs, newspaper clippings, scrapbooks, maps, and publications from various collections. I am returning tomorrow to finish looking at the clippings in the Patricia Lee collection and to search the Las Vegas Sun and the Las Vegas Review Journal newspapers from 1953 on microfilm for pictures and articles about the mannequins on display.

Mannequins on display, before the ‘Annie’ nuclear test of March 17, 1953 (from the Las Vegas Review Journal, March 6, 1953):
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Mannequins being organized, after the ‘Annie’ test:
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