I am in the studio, finding a creative work flow, and engaging some of my material (drawings, prints, photos) in different ways. In describing these experiments to a friend, she said they sounded meditative. I love this insight. She offered thoughts on documentation, documentation of performance, and animation. After our talk, I am inspired to continue the experiments, now with greater emphasis on time structure and meaning. Currently, these are shot without much thought to duration and pacing (though there were clearly ‘seasons’ to nuclear testing, periods of intense activity and then of pause). I would like to be more sensitive to this in my project.
Interacting with Pages (First 199 nuclear detonations at Yucca Flat), Experiment 4
Interacting with Pages, Experiment 3
I don’t know how these experiments will exactly influence my project yet, but I feel it is important to try some new things in my studio, especially as I test ideas that relate to these questions: What lies at the core of successful interaction? Is the process of mapping and dismantling a reflective practice? How do I create the conditions for this, for myself and for others?
The web-based archive of ‘The Evolution of Silence’ will officially launch on September 1, 2013. I have made progress this week and am now sharing the BETA site more widely for feedback. Over the next two months, I will be incorporating more of my research material, writing, and art (solar prints, animations, and coaxial cable drawings, etc.), testing programming and design ideas on my local file, and updating the BETA versions regularly for your feedback.
Be sure to empty your browser cache each time to view the changes. Currently the site works well in Safari and Firefox.
Instructions for emptying your cache in
File > Develop > Empty Caches
Tools > Clear Recent History > Cache
Here is a selection of recent experiments and interpretations of the cables that lie around the NTS. I have several drawings that have already been incorporated into the web-based archive and I am trying to find other ways to evoke landscape and the ruins of nuclear testing through line and space. The little handheld scanner I use allows me to ‘draw’ as I capture; recorded is the new ‘drawing’ which re-interprets fragments of the original drawing. Each scanning event involves gesture and movement, and the unknown. It is always a surprise to see how the original drawing is transformed.
Drawing with a scanner is a new expressive approach for me that came out of my workshop week at Design Inquiry/Design City: Berlin this past August. Special thanks to Florian Sametinger and the Design Research Lab for the opportunity to continue this visual experiment.
Over the last week I have been preparing my research goals and itinerary for an upcoming trip to Nevada. I will be visiting and meeting people from the Nevada State Museum’s Cahlan Research Library, the University of Nevada Las Vegas Library and Special Collections, the Springs Preserve, the Atomic Testing Museum, the Las Vegas News Bureau, the Emergency Arts Center, the National Desert Wildlife Range, and the Nevada Test Site.