These last several weeks have been dedicated to setting up summer opportunities and seeking funding. In May, the semester ends and I can concentrate again on my studio work, exhibition proposal, and more grant applications.
I have recently added a scale to the web-based archive, and have been working behind the scenes with the code to include an introductory statement, and to solve a few problems. Some of those tests and explorations are not yet live. If you are interested in checking out progress on the website (The Evolution of Silence), here is the link.
I am happy about my current lineup of accepted projects/opportunities, and hope to take part in all. It depends on whether I receive funding for travel.
June 2013
DesignInquiry Station, Vinalhaven, ME
July 2013 or August 2013
Open Air Printers Studio, Goldwell Residency
Rhyolite and Las Vegas, NV
September 2013
Praxis and Poetics, Research Through Design Conference and Exhibition
Northumbria University/Baltic Centre for Contemporary Art
Newcastle upon Tyne/Gateshead, UK











The more I search for details on the mannequins the more the realities begin to blur. Coordinated operations, in which mannequins were carefully dressed and “typical” (conforming to white middle-class notions) social and domestic scenes were staged, began as isolated test scenarios at the Nevada Test Site in 1953. 
I just returned from presenting my work and research on ‘The Evolution of Silence’ at ‘Remaking Research: Emerging Research Practices in Art and Design.’ I was invited to present under the theme ‘The Political Economies of Research’ in the ‘Featured Research Projects’ section.
I finally finished mapping the sites of underground nuclear tests (still to map are the areas in which atmospheric testing took place).